Interdisciplinary
Visual Lead
CG Supervisor
Visual Director
I help brands, agencies, and studios transform ideas into cinematic visual experiences by connecting art direction, CGI supervision, creative technology, and production leadership.
My work sits between vision and execution: translating written briefs, storyboards, and abstract concepts into production-ready visual systems, from look development and lighting direction to final delivery.
What I Bring
Visual Direction
Turning concepts, scripts, and references into a clear visual language with mood, rhythm, atmosphere, and cinematic intent.
CG Supervision
Guiding production quality across modeling, look development, lighting, animation, rendering, compositing, and final delivery.
Creative Systems
Building practical workflows that combine traditional CGI, motion design, procedural tools, and AI-assisted iteration without losing authorship.
Professional Background
Over the past 17+ years, I have led and contributed to commercial, cinematic, and digital projects across product CGI, motion design, VFX, environment creation, visual storytelling, and research-driven creative work.
My production experience includes work for global brands such as Casio G-SHOCK, Citizen, Suzuki, ISUZU, Lexus, UD Trucks, and others, with a focus on look development, lighting, rendering, compositing, and production-quality visual execution.
Across these projects, my role has often been to bridge creative direction and technical execution — helping teams move from abstract ideas to finished visual experiences with consistency, precision, and emotional impact.
Selected Clients & Collaborations
Selected brands and organizations whose projects I have supported through CGI supervision, visual development, art direction, and production leadership.
Film Direction & Festival Recognition
My film work extends my visual practice into narrative direction, atmosphere, character emotion, and cinematic world-building.
NOMAD
Short animated film directed by Mo Asnaei, exploring migration, identity, displacement, and belonging through visual storytelling.
• Finalist — Spooktacular Spectacular Family Film Festival, 2022
• Semi-Finalist & Honorable Mention — Festival del Cinema di Cefalù, 2022
Imperfect Abortion
Recent short film exploring personal, psychological, and cinematic dimensions through visual storytelling.
• Western University Film Festival, 2025
• Royal Film Festival, 2025
• Filmmaker Sessions Volume 5, 2025
Research & Publications
Alongside commercial and cinematic production, my research explores visual thinking, spatial memory, creative technology, education, and emerging digital systems.
The Backyard Journey
Presented at the 20th International Conference on the Arts in Society, Carnegie Mellon University, Pittsburgh, USA, 2025.
Sandbox Thinking
Childhood-centered visual education framework exploring procedural play, spatial cognition, inquiry-based learning, and creative visual thinking. Developed through ongoing professional dialogue with New Zealand early childhood education specialists, including Sue Hone, Curriculum Adviser, Te Mahau | Te Tai Runga, New Zealand Ministry of Education.
From Workshop to Augmented Reality
Presented at the ARETL 2025 International Conference on Education, Research, and Teaching Languages, Berlin, Germany, 2025.
Selected Film & VFX Leadership
My film and VFX work includes leadership and supervision across visual effects, cinematic environments, simulation, and final image quality for narrative productions.
IMDB | RaH 2024
IMDB | Barun Rai and the House on the Cliff 2021
Web3 & Digital Art Recognition
During the early development of the Web3 and NFT ecosystem, I became one of the recognized digital artists on Hic et Nunc and other blockchain art platforms.
My generative artworks, creative coding experiments, and 3D-driven digital pieces reached collectors worldwide, resulting in more than 7,200 NFT editions sold and collaborations within the digital art community.
This experience expanded my understanding of ownership, digital culture, creative technology, and emerging visual ecosystems beyond traditional commercial production.
My Approach
I believe visual leadership exists at the intersection of art, technology, and execution.
Strong visuals are rarely the result of software alone. They emerge when creative direction, technical systems, storytelling, and production realities operate as one integrated process.
My role is often to bridge those disciplines — helping teams move from abstract ideas to production-ready visual experiences without losing creative intent.